This one kinda hacked and cajoled itself out of my brain. The collage base took by far the longest time. It is, without doubt, the most personal piece I have ever produced. Cathartic and therapeutic. It’s highly textured and features a variety of mediums, including Tetley tea! The colours mostly come courtesy of the fluorescent acrylics in Sennelier’s Abstract range. It does, of course, depict Karloff’s iconic Frankenstein’s creation, an analogy I sometimes gravitate to when in reflective mood.
This self portrait was submitted to and rejected by Sky Arts Portrait Artist of the Year. I’m sort of glad it didn’t make the cut, as being subjected to an intense four hours of painting surrounded by onlookers and TV cameras would, I think, be a little much for my already hyperactive brain. I accompanied the image with a short (and not very erudite) commentary which I’ve included below.
I’d recently got back into making pictures on the advice from my therapist as a great way to help keep my hectic, wondering ADHD brain in check. The 2017 season is the first Portrait Artist of the Year I’ve watched, and forced my family to watch, and my wife ‘dared’ me to make a submission. Since my last self-portrait was painted 20 years ago I had to create one especially. I actually painted two, of which this I felt was the better and the most illustrative of my style and of me as a person. Anyone who knows me knows I come in two flavours 1) dark, brooding, moody, with a love of the macabre, angry music, and all things dark and sinister and 2) passionate, enthusiastic, animated, gregarious, outgoing and optimistic. Some times you get one or the other, some times you get both at once, which is a little scary. With this portrait, which is referenced from a selfie taken on my phone, I wanted to illustrate the dark and the light that characterises me. In addition to this I love painting contract in light and colour and I really enjoyed making this.
The kids look down at their iPads. The loose style of this painting only emerges as I created it.
A painting of my children from a impromptu photo taken by my wife. I particularly enjoyed doing the turquoise reflection on the skin of Joseph’s jaw.